UPDATED: 12/12/2007

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Patrick Chevailler
Gallery of the Ocean Realm: Patrick Chevailler


Miami 2007 - Elite Art Editions


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The videos from November 10th's Gallery Walk feature (in order)

Although the official location of Art Basel Miami Beach is the Miami Beach Convention Center, the 'party' is spread over a much wider area.

From the 'CANDO' Art District on Miami Beach, which includes the Bass Museum and Lincoln Road, to the Miami Design District and Wynwood Art District and several points in between.

This edition of includes two more articles in the on-going 'Art Investment' series.

The Art of the Ocean Realm is an idea we're 'floating' for 2008.'

Essentially, the gallery would be a showcase of art with an underwater theme - painting, statues and innovative design, such as that of Rogest (right), who helped the Ocean Realm Society promote the first State of the Oceans Summit during the DEMA Show in Orlando on November 1st.

Additional water-oriented artists can be found on the Gallery of the Ocean Realm page.

Speaking of underwater art, get ready for something completely different. The developer of the world's only artificial reef with an 'artistic' theme - Neptune Reef - is about to announce the opening of phase 1. More than 2000 tons of concrete columns, arches and statues - in 50-feet of water, about 5 miles southeast of Miami Beach. Click the thumbnail to see more detail in a photograph taken in July.

Art Basel Miami Beach is less than 60 days away. Gallery Walk in Miami is attracting a broad cross-section of people. Now that summer is over, the serious business of preparing for the most important art show in the Americas has begun. I will begin producing video clips in  a couple of weeks for an online art channel. Each week, we'll introduce you to the artists and gallery owners in Miami.

If you'd like to know when a new episode is posted, register for updates.

Since several gallery owners I know say the Gallery Walk event is beginning to generate sales, I thought a series of articles about art as an investment would be appropriate.

Ken English - kenenglish@aol.com


Does Art investing Cheapen the Craft?

There are several schools of thought with regard to art investing. A capitalist will tell you that America was founded on commerce and that anything that can make money should. On the other end of the spectrum, art purists may denounce the idea of paying for art at all. They will argue that it demeans the very integrity of art and puts a price tag on something that should be free to the world. The latter opinion is probably not a popular one among the artists.

Art investing is becoming more mainstream as time goes by. With this onset, many have begun to see precious pieces of art as nothing but multi-colored paychecks. Ideally, art is a phenomenon of human nature that should be enjoyed by everyone that can see, hear or feel it. Does this mean that you cannot put a price tag on art? Jackson Pollock and $104 million say that you can. However, it seems that there could be a middle-of-the-road compromise where art investing and art appreciation can coexist.

For centuries artists have been revered after their time, and often never while they are alive. Perhaps the death of the artists makes a piece more valuable in art investing because you know that the artist will never create again. It is also possible that it simply takes society that long to catch on to genius. Either way you look at it, money seems to play a backwards roll in art and art investing. An artist lives in poverty while the world ignores his work, then pays millions for it a century later.

Though it may outwardly appear as though money has a negative effect on art as a whole, there are positive attributes that art investing reflects. One very constructive purpose of art investing is the preservation of great works of art throughout time. Imagine that you just spent $11 million on a oil painting. Regardless of who you are or where you stand financially, you are going to take very good care of a painting you just spent that much money on. Because of this, the artist will live on in his work which you are protecting from time and the elements.

There are obvious negative attributes to the idea of art investing. Largely, art investing takes place among the very wealthy, which represent a small portion of the population. Because great works of art carry million-dollar price tags, these are the only people that will ever own them. Many of these wealthy people demonstrate their generosity by donating or loaning their collections to museums or galleries for exhibit. However, there are others that see art investing as a financial venture only and keep their priceless works of art locked in a safe for protection. While this does indeed protect the piece, it is also robbing the artist of the very purpose for which it was created, to be seen by the masses.

Honestly there is no crime in art investing. By purchasing great works of art you can help preserve a piece of history. However, before you make your investment, it is important to contemplate what you will do with it, and where you stand in the art and financial community. Do you see art as a free expression of human nature or a potential future profit?

Perhaps you are one of the rare few that have the ability to see art investing for what it is. Investing...in...art. Many lose sight of the art and see only the investing. The key is a balanced position where art and investing meet and complement each other. There is money to be made from art investing, and there is nothing wrong with that. However, it is imperative to respect the art, respect the artist, and allow your investments to be seen and enjoyed as the artist intended it to be.


Ensuring Authentic Art Investing

Art investing can by a difficult game, even for the most experienced buyer. Before you invest your life savings in a piece you think might go up in value, why not do a little leg work? For every success story that comes from art investing, there are a mass of failures. If you have the means for daredevil investing and get a rush out of potentially losing thousands or millions of dollars, then dive right in with both feet. For the rest of us, art investing will be much safer if you take a few steps to ensure quality and authenticity of your investments.

Many find that art investing is much safer if business is done with one or two dealers the investor knows a great deal about. As with any business, a simple background check with the better business bureau can tell you if the business has had any complaints against it. Next, you should get recommendations from others in the art investing business. Museums and art auction houses may be able to tell you those dealers that have been in the business for a while and have built a good reputation. When you're associated with good art dealers, they can make recommendations and help you find the art investing avenues that are right for your portfolio.

Once you've decided with whom you will conduct your art investing, it is also a good idea to research the artists whose work you may buy. While it may sound morbid, it is often true that many artists are more appreciated after they are deceased. This is the case with classics such as Monet, Van Gough, and Picasso, none of whom were as famous in their own lifetime as they are now. That is not to say that your art investing should exclude all currently living artists! Simply be wary of those you choose. An artist that is cutting-edge or a real "up-and-comer" today may be mass produced on every coffee mug and credit card tomorrow.

Once you have pinpointed your dealer and those artists you wish to include in your art investing portfolio, research the piece. You would never buy a house that wasn't inspected, or a car that you have not test driven. Why would you do any art investing without knowing a little about the work you're obtaining? Finding out about where the piece came from, how old it is, and the history behind it can benefit you in the long run. It is also a good idea to have it appraised by an impartial third party to make sure you're getting what you pay for.

Art investing usually requires a large amount of upfront capital. As with any large purchase, it will pay off to make sure that it has a paper trail behind it. Certificates of authenticity, written appraisals from known art experts and original sales receipts from previous owners will help ensure the legitimacy of the piece. These can also be a key selling point to help ensure a return on your investment. If someone is trying to sell you a painting whose original owner and all documentation were both mysteriously "lost in a fire", chances are you'll be skeptical. You should be, because your potential buyer will feel the same way.

Spotting a copy or a fake piece may often be difficult to the untrained eye, and can be imperative to your art investing portfolio. There are experts available that will help to make sure you are not getting cheated or scammed. These people have gone to school and studied artwork for years so that you don't have to. These experts will almost always come at a price, but for truly safe art investing, it will prove to be worth your while.

We would all like to think that anyone into art investing does so for a love of great art, but there are dishonest people that will do anything for money. By conducting a little of your own research and getting outside input, you can protect yourself from being cheated. Art investing is not something that should be taken lightly, so make sure that your money isn't going to waste by ensuring authenticity and accuracy any piece you buy into. You owe it to yourself and the art community to help eliminate fakes and those who market them.